![]() ![]() You can find a list of supported hardware here. ScopeBox requires a Mac running macOS 10.12 Sierra or newer and support for Metal. universal m1 support for ScopeBox and all ScopeLink plugins. ![]() By leveraging the power of the computer you already own, we’re able to sell ScopeBox for much less. Hardware scopes cost tens of thousands of dollars. When combined with an inexpensive Thunderbolt, or USB capture device, ScopeBox turns your Mac laptop into the ultimate portable quality analysis solution. With the ability to save layouts and source settings, you can easily create a “turnkey” scope station, which launches directly into your preferred configuration. Scopes can be used far more accurately when they work in the same format as the rest of your production pipeline. SD, HD, 2K, 4Kįrom SD to 4K, if you can feed the signal into your Mac, ScopeBox will monitor it. Turn your older Mac Mini into a dedicated scope system, or take your scopes on the go with a Macbook, Macbook Air, or Macbook Pro. New Device Support – Support for UVC devices like the AJA U-Tap, Epiphan, and more.įeature Highlights Use your exisiting hardware.False Color Previews – Preview overlays for quick exposure adjustment.User Target Colors – Set targets anywhere by simply choosing a color.Palette Overlays – See two traces superimposed for super fast matching and comparison.Still Store – Save image stills for comparison and overlay.Feature Insights – Quickly find any trace region in another palette.Better Movie Support – Monitor mov, mp4, MXF, BRAW, AVCHD and HDV.CIE Palette – Confirm gamut ranges for multiple primaries.HDR and Wide Color – Updated graticles for st2084 P3, rec2020, anc rec2100 color science.TimeTrace Palettes – See changes in luminance, color and contrast over time.Cleaner UI – A modern interface for a more civilized age.Whether you’re working in editing and compositing applications like Premiere Pro, Final Cut Pro X, or After Effects DIT tools like Prelude, Silverstack, or LiveGrade or color grading software like Resolve you can use the same professional scopes. ScopeLink allows you to feed video directly from many popular applications directly to ScopeBox. Add framing guides and overlays to make sure that your shot works out exactly the way you expect. With false color and feature insights, you get the most powerful toolset available for quanitative viewing. You get all the features you’d expect to find on a high-end field monitor. ScopeBox gives you a high quality, flexible preview monitor. You can mix and match scopes, save layouts, and be confident that you’re seeing every pixel and every frame of your signal. A custom toolset crafted for creative professionals – colorists, editors, and shooters. Cancel any time and keep the most recent version.Īll the scopes you’d expect from hardware, and many many more.Includes 1 year of updates and support.Scopebox Standard Subscription Highlights Scopebox is a set of video analysis features such as waveform, vectorscopes, RGB histogram, channel plot and video preview monitor. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.Software Scopes for DIT, Production, Editing and Finishing Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. ![]()
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